At NAB this year, I had a chance to interview Sam Fisher, creator of the Andra Motion Focus system, alongside Matt Jeppsen of Pro Video Coalition, about Andra’s innovative wireless FIZ system and find out how it could potentially help – or harm – productions and AC’s putting it to work.
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In this video, David Elkins, author of The Camera Assistant’s Manual, shows how to properly check out a camera package and prep it for a shoot. He covers everything from checking lenses, to the camera body, to the paperwork you should have with you. This is a must-watch for all camera assistants.
Those of us in the camera department have known for years that we dress to impress – by being ready for cold weather, hot desert, or a really long day. Adam Carolla agrees and, on one of his podcasts turned into this video, explains why cameramen dress the best.
As a cinematographer, Haskell Wexler has brought to life some Hollywood classics and brought home two Oscar statues. But Wexler has also had to put up with the same strenuous working conditions that film crews are often beholden to. Specifically, long working hours that cause sleep deprivation. So he did what any filmmaker might do – he made a movie about it.
Netting a lens is a great and simple way to add style to a scene using cloth material mounted on the rear element of a lens. While netting lenses won’t happen on every job, it’s a technique camera assistants are expected to be familiar with – and can learn how to do in this video.
Have you ever been pulling focus and found yourself off the mark during that split-second in which you glanced between the actor in a scene and your marks on the follow focus? It only takes a split second for the focus to go soft. By that time, the camera operator mutters, “Buzzy” and you know you’re going to need another take.
At less than two minutes long, the video above, from Jared Abrams at Wide Open Camera, covers the most popular types of marks you need to know. And I have a few extra tips of my own to share with you.
Pulling focus is arguably the 1st Assistant Camera’s most important duty. A shot can be beautifully lit, impeccably framed, and feature Oscar-winning acting, but if it’s not in focus, it’s likely to end up on the cutting room floor. That’s what’s at stake for the focus puller.
For those with heavy experience, this video is a nice reflection of what you encounter everyday. For those new to the film industry, this video is a brief, concise crash course in the basics of how a film crew operates.
Tony Reale and Matt Jeppsen are the masterminds behind NextWave DV and Fresh DV and they’ve teamed up to bring as much insider access and filmmaking perspective to NAB Show 2012 as possible.