The Black and Blue

Filmmaking Tips for Camera Assistants

  • Blog
  • Videos
  • Menu
  • 
  • Blog
  • Videos
  • Free Ebook
  • Subscribe
  • Topics
    • Behind the Lens
    • Camera Assisting
    • Cameras
    • Getting Work
    • Industry News
    • Miscellaneous Tips
    • Production Stories
    • Toolkit
    • Website
  • About The Black and Blue
  • Contact Us
  • Sponsorship
  • Comment Policy
  • Privacy Policy
  • Disclosure
  • 
  • R
  • 
  • ˆ
  • ‰
Quick Tip: Dealing with Actors Missing Their Marks

Quick Tip: Dealing with Actors Missing Their Marks

A T-mark on the ground notifying where an actor should "land" is crucial to camera assistants and camera operators alike. But not every actor can land on it perfectly everytime. In fact, some of them are wildly inconsistent. Here's how to handle this frustrating situation.

by Evan Luzi | Camera Assisting | January 27, 2011 | Comments: 6

The mark, and the actor’s ability to land on it, affects the focus and the composition. Some actors and actresses, however, are not the most adept at always landing on their marks (as Michael Caine is) and that means adjustments have to be made. Here’s one way to deal with talent who consistently miss their mark.

To clarify, when I say “consistently miss their mark,” I don’t mean they always go a foot over or 4 inches in front of the mark — that adjustment is easy to make. I mean they consistently just plain miss it. I’ve dealt with this before, with the lead actor no less, who would always miss his mark but never at the same distance.

Despite repeated attempts to remark him where he actually landed, it never worked because he would then miss the new mark. I began to think he misunderstood how to utilize the mark in respect to his position. Nonetheless, a camera assistant shouldn’t complain and should do their job and part of the difficulties of that job is having to compensate for situations like this on-the-fly.

What I started to do was right after rehearsals ended, I would politely ask the actor to do whatever action it was leading up to him hitting his mark and to stay wherever he landed. But instead of remarking him, I would simply set a new mark on my lens and tell him I was confirming the previous mark. I figured that having him do the action would get him to land in a more natural place than asking him to stand at the mark itself.

I was right — almost every time I used this tactic, he would miss the mark, but the focus would be spot-on thanks to the new distance I had measured out. So, if there are troubles with an actor hitting their mark, but all the usual approaches and reminders haven’t helped, ask them to rehearse the scene naturally and use this as a mental reference point.

Now this won’t always work, I realize. Sometimes the mark is just missed and sometimes you can adjust for it, other times the subject gets soft. All AC’s are human and when shooting wide open on a 100mm, there are bound to be some buzzy takes without some help. But at least this tactic gives some kind of hope that your mark will be right on the money. If that still doesn’t work out, consider downgrading to 2nd AC, they get all the love anyway.

About the AuthorEvan Luzi

  • Follow Evan on Instagram
  • zVisit Evan’s website

Creator of The Black and Blue. Freelance camera assistant and camera operator for over a decade. He also runs a lot. Learn more about Evan here.

Support The Black and Blue

We've been helping ACs and camera crews navigate the film industry for over a decade. If this article helped you or you enjoyed it, tossing in a few bucks genuinely helps keep the site going:

Support TBAB

Read Next

The Art of Pulling Focus via FreshDV

The Art of Pulling Focus (Video from FreshDV)

Here is a video from FreshDV's Film School, a series that centers on a career camera assistant explaining his job and giving advice on how to pull focus. This particular video is one I watched when was I first learning how to pull focus.

  • Camera Assistant Failure and Advice to Avoid Doing It Yourself (Video)
  • Two Actors, One Mark, Easy Solution
  • How a Basketball Defense Helps You Pull Focus
  • On Set: Sometimes It's Good to Be Wrong
The Ultimate Guide to a Camera Assistant's Toolkit

The Ultimate Guide to a Camera Assistant's Toolkit

Every camera assistant will have different tools depending on how they work. That’s why it’s important to peak into what other camera assistants have to offer. So I’m going to show you what I have in my toolkit today and also give you advice on what I think you should have in yours.

  • Film Set Lingo: General Production Slang - Part 1
  • Deciphering the Film Slate (Part 1): What to Write on a Clapperboard
  • 2 Easy to Use Camera Report Templates
  • 25 Pieces of Juicy Filmmaking Knowledge from Cinematographer Roger Deakins

Does anybody who's not a Netflix or WB executive want this deal to happen?

  • We AC's Are a Short People
  • Version 5.0 of The Black and Blue is Live!
  • Happy Labor Day: The Film Industry Should Treat Crew Better
  • 'The Gift of Room Tone' featuring Martin Scorsese, Roger Deakins, Cristopher Walken, and More
Becoming the Reel Deal eBook Cover on iPad

It Only Takes One Gig.

Becoming the Reel Deal is a free downloadable eBook written to help you get your first job on set in the camera department so you can launch your film career.

Sign up now to get your free copy and exclusive tips from The Black and Blue.

Get Your Free Copy
  • Disclosure
  • Privacy Policy
  • Credits
  • Contact

Copyright © 2026 The Black and Blue, LLC