The Black and Blue

Filmmaking Tips for Camera Assistants

  • Blog
  • Camera Guides
  • Menu
  • 
  • Blog
  • Videos
  • Free Ebook
  • Pocket Guides
  • Topics
    • Behind the Lens
    • Camera Assisting
    • Cameras
    • Getting Work
    • Industry News
    • Miscellaneous Tips
    • Production Stories
    • Toolkit
    • Website
  • Subscribe
  • Contact
  • About The Black and Blue
  • Sponsorship
  • Comment Policy
  • Privacy Policy
  • Disclosure
  • 
  • U
  • 
  • R
  • @
  • Q
  • ˆ
  • ‰
×
Hat Rack
Creative Commons License Photo: Andrew Borgen

Are You Struggling to Find Film Work?

Freelancing in the film industry is tough. Not only is the work hard and the hours long, but you have to hustle to even get the chance to work. One of the keys to survival is having a big hat rack at your disposal.

by Evan LuziGetting Work

  • 18

If you’ve been trying to find work to no avail, consider expanding this rack. When you go home at the end of the work day, you hang up one hat and put on another.

The Problem with Ladders

When we hear about working through the industry as crew members in filmmaking, we mostly hear about paying dues and “climbing up the ladder.” This is the same metaphorical ladder that every person, no matter their career, hangs onto the rungs of.

Some climb all the way to the top, like Steven Spielberg. Some climb a few steps and are content to stop there. Others fall off completely.

But the problem with the ladder approach is that it implies that the only career growth you can make is vertical.

Instead, let’s talk about another business cliche: wearing multiple hats.

There are plenty of people I know who manage to get gigs as a camera assistant, grip, and electrician. Since they have the ability to wear multiple hats, they have more opportunities to get work.

When the well for one of their jobs is starting to run dry, they simply dip into another one and start from there. You can benefit from the same arrangement.

New Hats = New Opportunities

If you are struggling to find more work, it’s time for you to start thinking about growing in the film industry horizontally (adding more hats) as well as vertically (climbing that ladder). Many of the basic skills, etiquette, and training you have from on set experience is transferable to new departments.

What other positions on film sets have you seen that you might enjoy doing? Or you think you would be good at? Have you ever been interested in a different crew position on set?

The opportunities for you to take advantage of already established skills are there, you just have to be willing to seize them.

Tap into your network of already established contacts and let them know you want to start working in that position. If they are hesitant, offer to work for free in exchange for the training and line on your resume.

You won’t be a master of your new job immediately and it might involve going out of your comfort zone at first, but it will open a whole slew of extra possibilities for work in the future.

When the rungs of the ladder get tough to climb, it is simple to toss another hat on your head and venture forward. Don’t be content with just one hat on the rack if there are five spokes for you to place it.

How big is your hat rack? And how many hats are you willing to try on?

Evan Luzi

  • U
  • 
  • z

Creator of The Black and Blue. Freelance camera assistant and camera operator. Available for work: Contact Evan here. Learn more about Evan here.

An Essential Resource for Digital Cinema Filmmakers

Get the Complete Library of 30 Digital Cinema Pocket Guides

  • Canon C500 Digital Cinema Pocket Guide
  • Blackmagic Cinema Camera Digital Cinema Pocket Guide
  • Nikon D800 Digital Cinema Pocket Guide
  • Canon 5D Mark II Digital Cinema Pocket Guide
  • Sony FS700 Digital Cinema Pocket Guide
  • Sony F65 Digital Cinema Pocket Guide
  • Phantom Miro 320s Digital Cinema Pocket Guide
  • RED Epic Digital Cinema Pocket Guide
Click Here to Learn More

Read Next

Deciphering the Film Slate Mural

Deciphering the Film Slate (Part 3): Twelve Examples of a Completed Slate

I find looking at other slates to be extremely helpful. When I was first starting out as a 2nd AC, it was useful to see how others applied the principles I had learned about slating. So let's take a look at twelve completed clapperboards.

  • Fight Club as a Film and Novel: A Copy of A Copy of A Copy
  • Why Your 2nd Job is More Important than Your First
  • Shooting with RED Epic #4: Use the LED Status Indicators to Save Time
  • The A to Z Guide to Film Set Etiquette

Happy Labor Day: The Film Industry Should Treat Crew Better

Today is Labor Day in the United States and, as we recognize this national holiday dedicated to the achievements of the American workforce, it's important to acknowledge that the crew in the film industry – the labor – hold more skill, talent, and power than is being recognized and rewarded.

  • 'The Gift of Room Tone' featuring Martin Scorsese, Roger Deakins, Cristopher Walken, and More
  • Focus Puller Chris Silano on Using the Preston Light Ranger
  • Tom Cruise Isn't Messing Around with COVID Safety
  • 20 Holiday Gifts for Camera Assistants (That Your Family Can Actually Afford)
  • Most Popular
  • Most Recent
Becoming the Reel Deal eBook Cover on iPad

It Only Takes One Gig.

Becoming the Reel Deal is a free downloadable eBook written to help you get your first job on set in the camera department so you can launch your film career.

Sign up now to get your free copy and exclusive tips from The Black and Blue.

Get Your Free Copy
  • Disclosure
  • Privacy Policy
  • Credits
  • Contact

Copyright © 2025 The Black and Blue, LLC