The Black and Blue

Filmmaking Tips for Camera Assistants

  • Blog
  • Videos
  • Menu
  • 
  • Blog
  • Videos
  • Free Ebook
  • Subscribe
  • Topics
    • Behind the Lens
    • Camera Assisting
    • Cameras
    • Getting Work
    • Industry News
    • Miscellaneous Tips
    • Production Stories
    • Toolkit
    • Website
  • About The Black and Blue
  • Contact Us
  • Sponsorship
  • Comment Policy
  • Privacy Policy
  • Disclosure
  • 
  • R
  • 
  • ˆ
  • ‰
Be a Faster AC #3: Maximize Your Camera Prep
Creative Commons License Photo: Bob Bekian

Be a Faster AC #3: Maximize Your Camera Prep

With expensive cinema cameras, there really is no other way to make sure gear is ready to get slogged through an intense production than a camera prep. Not all shoots you work on will give you a prep day, but plenty will -- and you have to maximize it.

by Evan Luzi | Camera Assisting | September 15, 2011 | Comments: 7

From our ongoing exploration of ways to become a faster and more efficient camera assistant, today’s tip is:

3. Maximize Your Camera Prep

With expensive cinema cameras, there really is no other way to make sure gear is ready to get slogged through an intense production than a camera prep. Not all shoots you work on will give you a prep day, but plenty will — and you have to maximize it.

Having time to get together with your department before a shoot is a great chance to preemptively make yourself faster on set.

Just a few ways you can take advantage of prep days:

  • Learn how different rigs work and pre-configure them
  • Run camera tests to finalize settings the director of photography likes
  • Organize equipment within cases in a way you prefer
  • Troubleshoot and fix hardware problems with rented gear
  • Establish workflows within your department for data, lens exchanges, etc.

There will be very few opportunities to get together as a camera department on such a relaxed schedule — when you’re on set, the game changes.

So take advantage of camera preps as much as possible to solve problems ahead of time.

What steps do you take during camera prep to prevent potential issues?

Related posts:

  1. Be a Faster AC #7: Make One Trip for Battery Swaps
  2. Be a Faster AC #2: Cut Down on What You Say When Slating
  3. Be a Faster AC #6: Stage Your Equipment Nearby
  4. Be a Faster AC #12: Customize the Camera

About the AuthorEvan Luzi

  • Follow Evan on Instagram
  • zVisit Evan’s website

Creator of The Black and Blue. Freelance camera assistant and camera operator for over a decade. He also runs a lot. Learn more about Evan here.

Read Next

Be a Faster AC #7: Make One Trip for Battery Swaps

Be a Faster AC #7: Make One Trip for Battery Swaps

On more than few occasions, I've called for a fresh battery from a 2nd assistant camera (AC) only to have them run to the charger, grab a charged battery, place it in my hands, then I give them the dead battery, they bring it back to the charger, and finally come back to set. Seems a little redudant, no?

  • Be a Faster AC #2: Cut Down on What You Say When Slating
  • Be a Faster AC #6: Stage Your Equipment Nearby
  • Be a Faster AC #12: Customize the Camera
  • Be a Faster AC #4: Ask Questions for Clarification
Deciphering the Film Slate Mural

Deciphering the Film Slate (Part 3): Twelve Examples of a Completed Slate

I find looking at other slates to be extremely helpful. When I was first starting out as a 2nd AC, it was useful to see how others applied the principles I had learned about slating. So let's take a look at twelve completed clapperboards.

  • How to Clean a Camera Lens Without Damaging the Glass
  • Three Must-Have Skills for Pulling Focus and How You Can Improve Them
  • 7 G&E Techniques Useful to Camera Assistants
  • How Many Hours Does Your RED One Have?

Happy Labor Day: The Film Industry Should Treat Crew Better

Today is Labor Day in the United States and, as we recognize this national holiday dedicated to the achievements of the American workforce, it's important to acknowledge that the crew in the film industry – the labor – hold more skill, talent, and power than is being recognized and rewarded.

  • 'The Gift of Room Tone' featuring Martin Scorsese, Roger Deakins, Cristopher Walken, and More
  • Focus Puller Chris Silano on Using the Preston Light Ranger
  • Tom Cruise Isn't Messing Around with COVID Safety
  • 20 Holiday Gifts for Camera Assistants (That Your Family Can Actually Afford)
Becoming the Reel Deal eBook Cover on iPad

It Only Takes One Gig.

Becoming the Reel Deal is a free downloadable eBook written to help you get your first job on set in the camera department so you can launch your film career.

Sign up now to get your free copy and exclusive tips from The Black and Blue.

Get Your Free Copy
  • Disclosure
  • Privacy Policy
  • Credits
  • Contact

Copyright © 2025 The Black and Blue, LLC