The Black and Blue

Filmmaking Tips for Camera Assistants

  • Blog
  • Videos
  • Menu
  • 
  • Blog
  • Videos
  • Free Ebook
  • Subscribe
  • Topics
    • Behind the Lens
    • Camera Assisting
    • Cameras
    • Getting Work
    • Industry News
    • Miscellaneous Tips
    • Production Stories
    • Toolkit
    • Website
  • About The Black and Blue
  • Contact Us
  • Sponsorship
  • Comment Policy
  • Privacy Policy
  • Disclosure
  • 
  • R
  • 
  • ˆ
  • ‰
Be a Faster AC #14: Slow Down and Make a Plan
Creative Commons License Photo: Nicola since 1972

Be a Faster AC #14: Slow Down and Make a Plan

I know it sounds counterintuitive, but in some cases, slowing down may actually make you faster. Let's look at an example...

by Evan Luzi | Miscellaneous Tips | September 29, 2011 | Comments: 6

From our ongoing exploration of ways to become a faster and more efficient camera assistant, today’s tip — and the final one in the series — is:

14. Slow Down and Plan Your Approach

I know it sounds counterintuitive, but in some cases, slowing down may actually make you faster. Let’s look at an example:

The director of photography asks you to move the camera to a new position, change a lens, and drop in a filter. You bark the instructions over to your 2nd AC  who stops what they’re doing immediately to help you.

You lean down and unscrew the head and camera from the sticks, ready to take it to the new position expecting your 2nd AC to follow with the tripod. But when you look up your 2nd is standing by with a lens to change. Not wanting to risk anything being loose, you tie down the head again and change lenses.

They go to return it to its case and you, again, prep the camera to move positions.

But the 2nd AC comes back with the filter now…

Sounds like chaos, doesn’t it? Obviously you weren’t on the same page.

That’s because, in this case, there wasn’t any methodical approach.

Call it a workflow, a plan, a method — whatever — but you need to have an understanding with your crew on how certain actions are handled.

This develops over time the more you work with somebody, but is easily established verbally at the beginning of a shoot or the first time you’re met with a task.

In those moments, take a few seconds to step aside and figure out the best way to approach what you need to do. This may mean moving slower at first, but the speed it saves in the long run is unrivaled.

Related posts:

  1. Be a Faster AC #3: Maximize Your Camera Prep
  2. Be a Faster AC #6: Stage Your Equipment Nearby
  3. Be a Faster AC #7: Make One Trip for Battery Swaps
  4. Be a Faster AC #8: Keep Your Mouth Shut

About the AuthorEvan Luzi

  • Follow Evan on Instagram
  • zVisit Evan’s website

Creator of The Black and Blue. Freelance camera assistant and camera operator for over a decade. He also runs a lot. Learn more about Evan here.

Read Next

Be a Faster AC #3: Maximize Your Camera Prep

Be a Faster AC #3: Maximize Your Camera Prep

With expensive cinema cameras, there really is no other way to make sure gear is ready to get slogged through an intense production than a camera prep. Not all shoots you work on will give you a prep day, but plenty will -- and you have to maximize it.

  • Be a Faster AC #6: Stage Your Equipment Nearby
  • Be a Faster AC #7: Make One Trip for Battery Swaps
  • Be a Faster AC #8: Keep Your Mouth Shut
  • Be a Faster AC #13: Talk to the DP About the Scene
3 Simple Ways to Become a Better Focus Puller Over the Weekend

3 Simple Ways to Become a Better Focus Puller Over the Weekend

Do you find pulling focus to be tough? You're not the only one. As Sam Garwood says, it's "a really simple really difficult job." The physical act is easy, but the mental pressure is immense. Even if you're an experienced focus puller, honing the skill is an ongoing battle.

  • How to Clean a Camera Lens Without Damaging the Glass
  • Three Must-Have Skills for Pulling Focus and How You Can Improve Them
  • 7 G&E Techniques Useful to Camera Assistants
  • Don't Be Stupid: The IATSE Local 600's Free Guide to Setiquette

Happy Labor Day: The Film Industry Should Treat Crew Better

Today is Labor Day in the United States and, as we recognize this national holiday dedicated to the achievements of the American workforce, it's important to acknowledge that the crew in the film industry – the labor – hold more skill, talent, and power than is being recognized and rewarded.

  • 'The Gift of Room Tone' featuring Martin Scorsese, Roger Deakins, Cristopher Walken, and More
  • Focus Puller Chris Silano on Using the Preston Light Ranger
  • Tom Cruise Isn't Messing Around with COVID Safety
  • 20 Holiday Gifts for Camera Assistants (That Your Family Can Actually Afford)
Becoming the Reel Deal eBook Cover on iPad

It Only Takes One Gig.

Becoming the Reel Deal is a free downloadable eBook written to help you get your first job on set in the camera department so you can launch your film career.

Sign up now to get your free copy and exclusive tips from The Black and Blue.

Get Your Free Copy
  • Disclosure
  • Privacy Policy
  • Credits
  • Contact

Copyright © 2025 The Black and Blue, LLC