RED Digital Cinema CEO Jim Jannard has announced on Reduser.net the company’s intentions to focus mainly on its HDRx technology for the new line of Epic cameras. HDRx is a feature of the new cameras that results in an increase from 13.5 stops to a possible 18 stops of dynamic range and allows a great amount of flexibility in post-production.
Articles Tagged with "Hdrx"
RED Epic vs. ARRI Alexa vs. Canon 7D
As we leave 2010 behind, there’s no doubt that the digital cinematography race is getting tighter with options across the board. Three major players – RED, ARRI, and Canon – are chasing the trophy. But how do they stack up against each other?
5 Features to Look Forward to with RED Epic
As the time nears for those RED Epics to surge into production while prominent filmmakers get their hands dirty with it already, it’s good to look toward the future of RED digital cinema. RED blew out the market with its RED One camera and made established companies like Arri and Sony play catch up with their offerings.
From the Front Line of Production: Shooting with RED Epic in 3D on Spiderman
It’s been traveling all over the forums and major blogs that John Schwartzman, ASC is shooting the new Spiderman movie in 3D with a pair of RED Epic cameras and Ultra Prime lenses.
Comparing the Old Gamma/Raw Colors of RED ONE to New Options from RED Epic
At REDUSER.net, leader of the RED revolution and CEO Jim Jannard has released some stills that show off the new color science of the now in-production Epic cameras. Jannard flashes these new stills against some from the RED One, comparing colorspaces to give an idea of how much the company has improved the way its more sensitive Mysterium-X handles light.
RED Epic Officially Declared Ready for Production
On the REDuser.net forums RED CEO and owner Jim Jannard has announced that the long awaited RED Epic camera is ready for production. Seems like the wishful thinking for a 2010 release date paid off.
First HDRx Footage from RED Epic Digital Cinema Camera
Not to be outdone by the Arri Alexa, RED has been prepping an HDRx mode for it’s Mysterium-X equipped EPIC camera that is similar in nature to Alexa’s high dynamic range capture process. The EPIC boasts a full 18 stops of range and two modes that allow the processing to be done in camera or in post-production. But does it look as good as many think Alexa does?