I want to highlight five directors who have taken the digital format and utilized it for their films, often optimizing the ability of the digital format and taking advantage of it’s pros to deliver a polished product. Each of the five directors listed below shot one or more films using digital cinema cameras and in the process, was breaking new technical ground in the film industry.
Articles Tagged with "Red"
RED ONE Menu Map (Build 21 + Build 30) *UPDATED*
The RED ONE is essentially a computer disguised as a camera and so it has quite a complex set of menus to navigate. Here to save the day is the menu map, a clever graphical configuration of the Red One’s menus
RED ONE Camera Reports Download
When I was doing prep-work as 1st AC on “Red Herring,” shot on the RED ONE, I went ahead and created Red specific camera reports. The document was created out of a variety of different types of camera reports I had seen. The result was a template that enabled easy marking of traditional notes (lens, f-stop, etc.) as well as Red-specific meta-data.
“Red Herring” Official Trailer
“Red Herring” is a Las Vegas based independent film produced by Cohencidence Productions that I worked on back in October as the First Assistant Camera for a talented cinematographer and good friend, Kunitaro Ohi. It’s a film that’s shoot was as grueling as it was rewarding – nothing worth doing comes easy, I suppose.
My Summer as a Camera Assistant: ‘Ghosts Don’t Exist’ Pre-Production
The following story is the first in a series of entries exploring Evan’s experience with his first job on a film set working as the 2nd Assistant Camera for “Ghosts Don’t Exist.” The series is divided into three parts: Pre-Production, Production and Aftermath. The “My Summer as a Camera Assistant” series will expand longer to the other films that Evan worked on.